German artist Portrait of Russian Nobleman 19th century Oil painting on canvas ^Sale

Speaking of this portrait, you need to remind a few things... In the majority of cases, the representatives of the highest social strata became the heroes of the ceremonial portraits. In this portrait, the necessary image conventions are observed and agreed, all indicate the high social status of this character. The Russian nobleman sitting with a confident posture is wearing an expensive coat, trimmed with mink fur at the cuffs and collar, on the shirt is wearing a gold hairpin with pearls, cane with a carved handle in the form of a hunting greyhound. A very expressive face exuding noble upbringing, possession of authority and willpower. Thus, in portraits of the 19th century, artists are already trying to convey to the viewer not only the image but the character of a person. The painting comes from the same private collection as another painting by the same artist, sold at auction in 2006 (see screenshot). 19th century oil painting on canvas, unframed.
Size app.: 37 x 32 cm (roughly 14.6 x 12.6 in). Very Good condition, wear, cracks etc. Painting well conserved. Overall it looks great and ready to hang. Please study good resolution images for precise cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 0.5 kg is going to measure some 2 kg packed for shipment.
Attributed to Gerhardt Wilhelm von Reutern (1794 - 1865) was a Baltic-German military officer and painter who co-founded the Artists' Colony at Willingshausen. He was born into a noble family of Baltic-Germans dating back to the 15th Century. He participated in several campaigns during the Napoleonic Wars as a cavalry lieutenant and lost his right arm at the Battle of Leipzig. While recuperating with relatives, he took up drawing as a hobby. In the Summer of 1814, he made the acquaintance of Johann Wolfgang von Goethe, who urged him to become a painter. They maintained a steady correspondence until Goethe's death in 1832. After serving in several adjutant positions, he resigned from the Army in 1819 with the rank of lieutenant-colonel. As part of his convalescence, he moved to Willingshausen and was married there in 1820. Four years later, he met Ludwig Emil Grimm and the idea for an Artists' Colony was born. They focused on genre scenes and landscapes from the Schwalm. Having been self-taught up to this point, he began taking private lessons from his friend Grimm. When the climate in Willingshausen aggravated his wound, he moved to Geneva and studied with the Swiss painter Matthias Gabriel Lory (1784-1846), then attended the Kassel Art Academy where he studied under Justus Wilhelm Karl Glinzer (de) and Johann Martin von Rohden. In 1835, he moved to Düsseldorf and studied with Theodor Hildebrandt at the Art Academy there. Two years later, he was appointed to a position as Court Painter for the Imperial Russian family, with the right to live abroad, a concession obtained by his friend Vasily Zhukovsky, who would later become his son-in-law. In 1841, he invited his friend Jakob Fürchtegott Dielmann to oversee the Artists' Colony and spent his time moving between Russia, Germany, Switzerland and Italy. After three years of travelling, he settled in Frankfurt where he established a studio at the Villa Metzler. In the early 1860s, he was forced to give up painting due to failing eyesight, rheumatism and unspecified "nervous complaints", probably brought about by the successive deaths of several friends and family members; including his wife, daughter Elisabeth and youngest son, Christoph.